Shooting the Impossible for Wes Anderson’s ‘The French Dispatch’

Robert Yeoman’s camerawork has been an inseparable element of Wes Anderson’s distinctive style since the dawn of the director’s career in 1996 with “Bottle Rocket” – but his new fantasy farce, “The French Dispatch,” brought the duo to new heights. “It’s how we work,” says Yeoman simply, describing new combinations of quick-change tracks for Anderson’s […]

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