‘The Stranger’ Review: Glowering, Gorgeously Shot Parable of Occupation and Oppression in the Golan Heights


Gloom, deployed as a storytelling tactic, can exert a strange, unsettling pull when it’s as capably and beautifully conveyed as in Syrian director Ameer Fakher Eldin’s “The Stranger,” recently announced as Palestine’s international Oscar entry. A granular depiction of oppression as a kind of inescapable inheritance handed down from father to son, with mothers and […]

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